This song was structured around the chorus bass line which was written by Archivon '94 Bassist Bob Heath. This recording sounds more synth bass than fret bass because technically it's programmed in the drum machine so his bass line doesn't really get it's proper due. The song has very big and grandeos aura about it and that feeling crescendo's at the very operatic end. This is more the style I would have written back in the the Harbinger days and it's a fitting ending to this collectio of songs.
I remember this one. This was another which did not inspire me. In conclusion of this CD, I would just like to add that I commend Tom for being persistent with his creations in documenting them. It should be noted that just because a song may get my veto, it does not necessarily mean that the song is either good or bad. It is all about perception & interpretation. Different strokes for different folks.
Tom's Rebuttle: ...and you should go stroke yourself : )