Tom ModyJeffrey Jeff Harris

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United Dictators of Mars
Questions For God
2008

PIECE OF HEAVEN
lyrics & liner notes
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Piece of Heaven
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:..:...::|PURCHASE MUSIC|.:::.:..

Music: Mody, Words: Mody

Saying all the right things.
Explaining that wants aren't greed.
Fear in the slightest disrespect.
Fear there's a secret misstep.

Where's the light? Is this the Way?
If a lie has speed what should I say?
That I trust in now, no matter the pain?
Don't look down. Don't look down. Dont look...
.

Somethings always haunting me.
Somethings always taunting me.

I hit the ground. I'm on my face.
A state of pain. A state of Grace.
It seems so dark. So many years wrong.
It's blowing my mind. Blowing my mind. Blowing my...

I can't see the sun. I can't see the sun today.
Am I the only one. Am I the only one to blame.
Seems someone's blown up the sky.
Got a piece of Heaven in my eye.

Tasting all the extremes.
Embracing all that relieves.

What's one to think, could anyone care.
I don't know how, I don't know. Don't know.

Something's always wanting me.

Truth has endurance. It's a matter of faith.
Just hold on.

Maybe today I'll cry.
But can't wash it from my eye.

I can't see the sun. I can't see the sun today.
Am I the only one. Am I the only one to blame.
Seems someone's blown up the sky.
Got a piece of Heaven in my eye.

I can't see the sun. I can't see the sun today.
Tell me that I'm the one. Blinded by the healing rays.
Seems someone's blown up my mind.
Got a piece of Heaven when I die.


Special song... Back in 2003 the chorus phrases came to me out of the blue. I didn't know what it meant and I had been carrying the phrases around in my head for 4 years. The bones of the music was also written and recorded in 2003 but with no link to those chorus phrases. I decided to write a completely different verse/prechorus guitar part in 2007 but everything else in the song was from the original (click below to hear original version) and I kept the 2003 recordings of the drums and bass.

PLAY ORIGINAL:

The new version was a haunting moody piece that is a stark contrast to the original. The verse is guitar tapping on 12th harmonics in harmony with a long delay and then bursts of power chords. It's a strange arrangement in that the second verse/prechorus is shorter sections that the first but I was limited to the existing drum and bass lines. When I wrote the song in 2003 I noticed a band I like called Lacuna Coil was doing a lot of underlying melody lines over heavy rhythms and that influenced this chorus arrangement. Lyrically I hadn't written a song since Ghostman in 2001 and it wasn't quite like riding a bike. I had those phrases in my head and I sat down on a few different occassions to try and flesh something out but it was a few weeks before anything stuck and from there it's been like an open flood gate of lyric writting. I had to put a meaning to the phrase I'd been carrying around. Was it literal or metaphoric that I couldn't see the sun. Instead of a literal epocolyptic piece of fiction it became a metaphore for the struggle to find faith in adversity, pain, etc, and the "piece of Heaven in my eye" was that little nibble that keeps you hanging on over overwhelming forces that can bring you down. From there it evolved to an introspective piece about personal issues I've faced and how I interpret them and the "why" questions which became thematic on this album. I even borrowed a phrase off a poster in our YMCA that I loved- "A lie has speed but truth has endurance". Jeff will have to refresh me if I'm not giving him enough credit here but I took the lead on this melody wise and the idea of the whisper voices. Understanding that Jeff comes one night a week for maybe 3 hours to record left me with many occassions where I recorded scratch vocal tracks. This was the first song I did that on and I tried to do a good job but I guess I did too good a job because he liked much of what I did and we kept it so it's actually a trade off duet and my first lead vocal after 20 years. Still what made the song is Jeff's final variation in the chorus. He took my original melody and improved it to perfection and then added a superb harmony. I'm really pleased with my mix and the different texture of voices and the way they weave dramatically to and from each other. Early mixes of this song were reviewed on garageband.com and it's stunning how rigid people are to anything outside the box. It got it's share of good reviews as well but in my opinion this should be a slam dunk. It's a great song on every level, lyrics, mood, emotion, execution. Mostly it's lyrically a perfect expression (and theraputically so) of a journey I am on. Hard to imagine such a brilliantly conceived chorus just popping into my head at random- I'll believe devine influence.

These following words are what I have wanted to jot down as the first liner notes to this song since we recorded it: "Welcome to the vocal community Tom Mody." "I'm proud of this accomplishment and it is a pleasure to be your partner in recording". "Too bad we aren't friends"...just kidding hehehe.

Okay.

A brilliantly written "piece" by Tom. I hadn't realized that he had this one lying around on the shelf collecting dust. Regardless, I was impressed enough to add my "piece" to it. There were some changes made lyrically to fit the program as is usually the case but nothing drastic. To take Tom's explanation of his scratch vox a bit further, he will sometimes lay down some scratch vox for me after we have worked on a song and come up with some ideas in some instances but dead ends in others. Tom sometimes has the time (and all of the necessary equipment) to play around with ideas and lay them down after I walk away. In my youth, I never thought I would ever admit this, but sometimes that principle is refreshing. Tom knows that these days I would prefer to just come into a studio and sing as opposed to my earlier days where I did most of the set up and almost all of the engineering including a lot of the production.

So back to the story.

So after we laid down some vocal melody ideas for "POHeaven", and I was having difficulty with Tom's trade mark and unique musical timing in certain parts of the verses, I said "lay down some scratch vox so I have an idea what you are trying to accomplish". As I walked in the following Thursday, he had these parts que'd for me to review. I listened with amazement. There was no question that we needed to keep what he had laid down. So after Tom knew I was serious, he seriously went back and recorded to perfection. It was really great collaborating with Tom on this song as I recall it being the first song on this project that I became really excited about and proud of what we were doing. It was pretty cool seeing Tom break out into his own vocally. I think it gave him a confidence that I had not seen in him before. So about the song. After Tom explained to me what the song was about, I was so impressed with the context/substance of the song that I later came up with a concept of another song to coincide somewhat with POHeaven. We'll "cross that bridge" in the liner notes to that song. I prefer the explanation Tom told me of POHeaven as opposed to his explanation given left of my liner notes (his notes). He is a great story teller but I sometimes believe he could take a piece of his grandfather's storytelling by applying it in a bit more simplistic nature. I guess that's what happens when you have dwelled among Martians for many years. But I digress.

Tom's Rebuttle: Jeff will have to refresh me in person as to my original lyrical explanation but maybe he's refering to more personal specifics of the lyrics. I did forget that I re-recorded my vocals once he approved them but he seems to think that because I sang 30% of the vocal on one song that I should be listing myself as a vocalist in the credits which is absurd. In fact- it completely over inflated my ego and I recorded many other scratch tracks that I intended to see if I could cut it as a singer. A few are scattered about this album. Jeff heard some others and redid them and there are others I dare not share with anyone... Delete!



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